I am very excited for this! Each time I saw photos of the live stage adaptation of “Spirited Away,” I looked up plane tickets. Alas, that never transpired, but now we have the next best thing: a filmed version of the stage play adapted from the animated film. Catch all that?
What’s Spirited Away About?
The film and play help children witness a 10-year-old child in transition– moving away from her friends and her life, moving away from following her parents’ instructions, and remembering who you are and where you came from while also learning to move on.
As a parent who has moved thousands of miles at multiple points in my life, the last three times with a family of small kids, I feel Chihiro’s journey pretty personally. It’s assumed that Chihiro’s family moved for her father’s job, and that detail is also one that I’ve experienced. Here is my main tip if your family considers it, and the one way to ensure that all voices, no matter how young, are heard.
Should My Family Move For a Job?
You and your family unit must understand what embarking on this adventure means for every single member. What are you giving up, and what does everyone want out of it? Even when your kids are young, homing in on everyone’s perspective will go a long way toward maintaining open communication. And truth be told, that is the key to making any relocation run as smoothly as possible: communication. You and your spouse must talk to each other and listen to one another, even – and especially – if they are saying things you don’t want to hear. It’s one thing to jump into an adventure with an open mind and heart; it’s another to have completely different expectations of the journey than your spouse.
That goes double for your children. They have the least amount of say in these decisions. Continually check in with them and find out how they’re feeling. Let them know it’s okay to be scared and excited; it’s fine to feel grateful and resentful, sometimes simultaneously.
There is a lot more to relocating, of course, and you can start your family’s journey by downloading my checklist of questions to ask.




How Can You Watch “Spirited Away”?
You can buy it on Blu-Ray/DVD or on demand at the links below. Don’t forget to subscribe to be one of the first people who can read and listen to my review of Miyazaki’s latest and supposedly last film, The Boy and the Heron on December 4th!
How to Watch
Cast & Creatives
CAST
Chihiro: Kanna Hashimoto / Mone Kamishiraishi
Haku: Kotaro Daigo / Hiroki Miura
No Face: Koharu Sugawara / Tomohiko Tsujimoto
Lin/Chihiro’s Mother: Miyu Sakihi / Fu Hinami
Kamajî: Tomorowo Taguchi / Satoshi Hashimoto
Yubaba/Zeniba: Mari Natsuki / Romi Park
Aniyaku/Chihiro’s Father: Kenya Osumi
Chichiyaku: Sunao Yoshimura
Aogaeru: Obata no Oniisan
Maria Abe ~ Kaito Arai ~ Yuya Igarashi ~ Yoko Ose ~ Wataru Oshige ~ Motoko Orii ~ Hiroko Kachi ~ Saori Kouzuki ~ Toshihiko Jo ~ Mayu Suetomi ~ Keiichi Tagawa ~ Hayato Takehiro ~ Saya Chinen ~ Hanano Teshirogi ~ Ayame Nakagami ~ Rei Hanashima ~ Teppen Matsunoki ~ Eiji Mizuno ~ Mayu Musha ~ Yuna Yasuno ~ Yuki Yahiro ~ YAMATO ~ Hikaru Yamano
CREATIVES & STAFF
| Based on “SPIRITED AWAY” directed by | Hayao Miyazaki | |
|---|---|---|
| Adapted and Directed by | John Caird | |
| Co-adapted by | Maoko Imai | |
| Original Score by | Joe Hisaishi | |
| Musical Supervision, Orchestrations and Arrangements by | Brad Haak | |
| Associate Music Supervision, Orchestrations and Ableton Programming by | Conor Keelan | |
| Set Designer | Jon Bausor | |
| Puppetry Design and Direction | Toby Olié | |
| Choreographer/Staging | Shigehiro Ide | |
| Lighting Designer | Jiro Katsushiba | |
| Sound Designer | Koichi Yamamoto | |
| Costume Designer | Sachiko Nakahara | |
| Hair and Make Up Designer | Hiroaki Miyauchi | |
| Projection Designer | Satoshi Kuriyama | |
| Music Director/Conductor | Erika Fukasawa | |
| Stage Manager | Takashi Hojo | |
| Opening & Ending Title | Studio Ghibli | |
| Calligraphy by | Toshio Suzuki | |
| In Association with | Studio Ghibli | |
| Assistant to the Director | Maoko Imai | |
| Assistant Directors | Makoto Nagai Ryusei Onuki | |
| Associate Set Designer | Satoko Nakane | |
| Associate Puppetry Director | Sarah Wright | |
| Puppetry Supervisor | Daisy Beattie | |
| Associate Costume Designer | Mika Tominaga | |
| Associate Music Directior | Haruka Sakai | |
| Assistant Choreographer | Yukina Sakai | |
| Assistant Lighting Designer | Atsushi Ozawa | |
| Assistant Sound Designer | Mafuyu Kurokawa | |
| Assistant Costume Designer | Yoshiko Totsuka | |
| Assistant Hair and Make Up Designers | Mao Matsunaga Ayumi Sakura | |
| Orchestra Coordinators | Takao Morioka / Takeru Chiba (TOHO MUSIC CORPORATION) Nobuya Matsukura/Kazunari Oshima (DAT Music) | |
| Manipulator | Keiichiro Koga | |
| Rehearsal Pianists | Chika Iwanaga Mio Sugita | |
| Assistant Producer | Hayato Torisawa | |
| Associate Producer | Haruko Murata | |
| Producer | Haruka Ogi | |
| Presented by | Toho Co., Ltd. |
Read more: Musings on Miyazaki by a Parent Who Feels Seen
Photo/Image Credit: GKIDS, INC
Sources: GKIDS, INC
Discover more from I watch YouTube so you don't have to.
Subscribe to get the latest posts sent to your email.





